Her hair falls like waves across her shoulders,
The long, dark ringlets like a raven’s wing.
She makes all mortal hearts to smolder;
It is of her that our minstrels sing.
Tall she is, and fair, like the morning.
Slender is her waist wrapped in a belt of gold.
All ye mortals heed my warning:
Look not upon the maiden strong and bold,
Or your heart will forever be taken
By the Faerie Queen of old.
Her tale has oft been told.
Her eyes are clear and watery blue.
Her dress is of the same color, too.
You remind me of
Sunday morning waffles.
I could always count on
You being at the table steaming over
A book, as the steam
Funneled out the open kitchen window.
You always looked golden brown on the outside,
Even if you were still soggy in the middle.
You were as bright as orange juice in
The glass next to me, but you could
Shatter as easily as the glass when you hit the floor.
You could be as sweet as maple syrup
Or as bitter as strawberries.
Even though you couldn’t eat whipped cream,
“Into The Woods” is a profound, deeply-moving musical that defies categorization, description, and even comprehension.
The Tony Award-winning musical (including best score: Stephen Sondheim, music and lyrics, and best book: James Lapine), which debuted in 1987 on Broadway, is complex and challenging even for the most devoted of theater-goers.
“Seussical the Musical,” through April 29, Catasauqua High School, is the perfect vehicle for exhibiting the exceptional talents of the Catasaqua Area Showcase Theatre’s performers and volunteers.
In the opening night performance, April 20, seen for this review, director Bill Nothstein pulled out all the stops from the pages of the beloved storyteller Dr. Seuss.
It may be that my expectations were too high, but I found The Pines Dinner Theatre’s musical comedy offering through May 13, “A Second Helping: The Church Basement Ladies Sequel,” to be a disappointment.
Despite moderately funny one-liners and a couple of beautifully poignant scenes, the new script by Greta Grosch is no match for the original.
The sequel, co-produced and directed by Oliver Blatt, finds the Minnesota Lutheran ladies still in the basement kitchen in 1969, four years since they first confronted their changes of life and the changes in life.
“A Quiet Place” is a minimalist horror movie.
What is not minimal is the movie’s seat-gripping tension. The story takes place in a post-apocalyptic 2020 when creatures rule and are having humanity over for brunch.
“A Quiet Place” stars Emily Blunt, wife of the movie’s director, John Krasinski. Blunt plays an expectant housewife, Evelyn Abbott, married to Lee Abbott, played by Krasinski. They and their two children, Regan (Millicent Simmonds) and Marcus (Noah Jupe), live on a farm.
Jesse Cook, a Juno Award winner and world-renowned nuevo flamenco guitarist, returns at 7:30 p.m. April 21 to the State Theatre Center for the Arts, Easton.
Cook, raised in France, Spain, Austria and Canada, has been a musician all his life.
“I had a little toy guitar I played,” he says in a phone interview. “And I loved to play French records on my mom’s turntable.
“It was at 14, when I was in Arles, Austria, where the Gypsy Kings were neighbors of ours, that I really fell in love with and became a student of flamenco.”
With bedtime approaching, a team of construction vehicles needs to get to sleep, but Crane Truck, Bull Dozer and Cement Mixer find that getting ready for bed is a job in itself.
Beloved by parents and children alike, these characters from the children’s book, “Goodnight, Goodnight Construction Site!,” come to life in an award-winning family musical, at 2 p.m. April 21, Miller Symphony Hall, Allentown, when the sing-along production of “Goodnight, Goodnight Construction Site, the Musical!” illustrates that everybody, even busy construction vehicles, need their rest.
Q. My five-year-old niece lives in a chaotic household with extended family members. She has had a number of injuries in the last few months that I believe were caused by her seven-year-old cousin. I am concerned that the parent-caregivers in the home are not watching the children. How can I or other family members keep my niece safe?
“At the ages of five and seven, supervision is key,” panelist Erin Stalsitz said. “Supervision is the parents’ or caregivers’ job.