The Lehigh Valley is “Getting Grace.”
“Getting Grace,” written, directed and produced by and starring Bethlehem native Daniel Roebuck, will have its Lehigh Valley debut March 3 at three venues in a benefit for several area nonprofits.
Roebuck made the announcement at a Jan. 30 press conference, punctuated by his trademark Roebuckian wit, at Lehigh Valley Charter High School for the Arts, Bethlehem, where he was joined by some of the film’s actors, producers and crew, as well as Lehigh Valley tourism and business officials.
“Phantom Thread” is a creepy romance about “the mangled tebs we weave” (“the tangled webs we weave”). It’s Masterpiece Theatre meets Alfred Hitchcock.
Director John Paul Anderson’s screenplay is about a 1950s’ fictional London couturier, Reynolds Woodcock (Daniel Day-Lews), who treats people like so many manequins upon which to drape his designs.
“Let’s take her for a walk,” Woodcock says to his new muse in town, Alma (wonderfully chimerical Vicky Krieps), referring not to the model, but rather to how the garment is carried by the model.
“The Shape Of Water” is a fantastic work of cinema.
Director Guillermo del Toro has created a colossal work of imagination that pushes the boundaries of creativity and, no doubt, will push buttons and sound some alarms.
December house sales in the Lehigh Valley concluded on a down note as 2017 see-sawed from month-to-month ups and downs.
In 2017 in the Valley, there were five months of increased sales (November, August, July, May, March) and seven months of decreased sales (December, October, September, June, April, February, January).
Closed sales for December 2017 were down 3.6 percent to 612 houses sold, compared to 635 houses sold in December 2016, according to the December report of the Greater Lehigh Valley Realtors (GLVR).
For ink-stained wretches like yours truly (in my 50th year of journalism), “The Post” is a nostalgia trip, set in 1971 when budding young journalists emerged from the then Newhouse School of Journalism at Syracuse University and other institutions of higher-learning fueled by what was going on at The Washington Post and the New York Times.
Disney, ice-skating and a great storyline combine for a spectacular “Disney On Ice Presents ‘Frozen,” through Jan. 21, PPL Center, Allentown.
The scene inside PPL Center opening night, Jan. 17, when the approximate 1 hour, 40-minute (including a 15-minute intermission) “Frozen” ice show was seen for this review, was symbolic of the scene outside with a snowfall and freezing temperatures. A “heat wave” of daytime temperatures to the 40s degrees fahrenheit is predicted for the Lehigh Valley through the Feld Entertainment show run.
“Three Billboards Outside Ebbing, Missouri” is a difficult movie. Uncomfortable as it is, it’s a film that should be seen, and can be viewed as a cautionary tale for all, not only residents of Ebbing, nor billboard companies.
House sales in the Lehigh Valley rebounded in November 2017, bouncing up 7.7 percent.
According to the Greater Lehigh Valley Realtors (GLVR) monthly report released Dec. 12, there were 661 houses sold in November, compared to 614 houses sold in November 2016 for an increase of 7.7 percent.
The up-tick follows two months of declining sales of houses in the Lehigh Valley.
Closed sales decreased 5.8 percent in October to 672 houses sold, compared to 713 houses sold in October 2016.
Up there was Dwayne Johnson on the big movie theater screen larger than life (and he’s large “in” life), battling a giant gorilla, then a giant wolf and then a giant alligator.
For a moment, I thought it was the opening scene for “Jumanji: Welcome to the Jungle,” in which Johnson stars and for which he’s a producer (through his Seven Bucks Productions), but it was the preview for “Rampage” (2018), in which Johnson stars.
Who could tell the difference?
“Darkest Hour” takes us deep inside Buckingham Palace, British Parliament and the Underground for the intrigue of Great Britain as a nation hovering on the brink of World War II.
The excellent, engaging and inspiring “Darkest Hour” can be viewed as a companion piece to another great film of 2017, writer-director-producer Christopher Nolan’s “Dunkirk.” The dilemma of some 300,000 British soldiers stranded on the beach of France’s coast across the English Channel figures prominently in “Darkest Hour.”